About
Biography
Art may be entertaining, but entertainment is not art.
Aviya Kopelman's music has been described as "distinct, radical, pure, expressive, dramatic, and personal." An Israeli composer born in Moscow, formed in Jerusalem, seasoned in Tel Aviv, and based in Berlin since 2024, she moves freely across mediums and genres — from orchestra, string quartet, choir and voice to live electronics, jazz-fusion and art-rock — often blurring the line between concert and non-concert music.
Underneath this range is a constant thread: identity. Kopelman approaches it from personal, social, national, historical, and gender perspectives, always looking for something universal within the most local and intimate material. Some works explore memory, belonging, and the ways nationalism can erode empathy; others turn to the role and identity of the artist, especially a female one, drawing on poets ranging from Anna Akhmatova and Leah Goldberg to Yona Wallach and Emily Dickinson.
Her musical world can shift quickly: one moment she is writing for the Kronos Quartet and Carnegie Hall, the next forming her own band and recording an album of her songs.
For seven years, Kopelman served as Composer-in-Residence of the Jerusalem Symphony Orchestra. She is one of the youngest-ever recipients of the Israeli Prime Minister's Prize for Composition and was chosen from more than 300 composers worldwide for the Kronos "Under 30 Project."
Full biography and press photos: Press & downloads.